Pedro Echevarría 1744
State of preservation: Restored 2005 with support of Fundación del Patrimonio Histórico de
Castilla y León.
The Capilla Mayor of Salamanca, Catedral Nueva is one of the most beautiful examples of Spanish baroque. Its Gospel organ was built by the maybe most important organ maker of Spain during that era, Pedro Echevarría, in royal service from 1724 until his death in 1771, like his father Liborna Echevarría before him.
Echevarría's Gospel organ above the choir stalls opposes an older Renaissance Epistle organ. Its height of 21 meters and width of 13.5 meters impresses even today. The lower division is a swell.
Francisco Andreu : Tiento partido de mano derecha a tres
played by Francis Chapelet
II+P
Organo principal C-c3, divided at c1/c#1
bass | Nr. | treble |
Flautado de 26 (C) | 1 | Flautado de 26 (D) |
Flautado de 13 1° | 2 | Flautado de 13 1° |
Flautado de 13 2° (R) | 3 | Flautado de 13 2° (R) |
Violón | 4 | Violón |
Octava | 5 | Octava |
Flautadillo | 6 | Flautadillo |
Docena | 7 | Docena |
Nasarte en 12na | 8 | Nasarte en 12na |
Quincena | 9 | Quincena |
Nasarte en 15na | 10 | Nasarte en 15na |
Nasarte en 17na | 11 | Nasarte en 17na |
Nasarte en 19na | 12 | Nasarte en 19na |
13 | Corneta real 7 f. | |
Lleno 4f. | 14 | Lleno 4 f. |
Zimbala 3f. | 15 | Zimbala |
Trompeta magna | 16 | Trompeta magna |
Trompeta real | 17 | Trompeta real |
Trompeta de batalla (R) | 18 | Trompeta de batalla (R) |
19 | Trompeta magna (C) | |
Clarín (C) | 20 | Clarín (C) |
Chirimía (C) | 21 | Clarín (C) |
Dulzayna (C) | 22 | Dulzayna (C) |
Cadereta interior (swell): C-c3, divided at c1/c#1
Flautado de 13 | 23 | Flautado de 13 |
Flautadillo | 24 | Flautadillo |
Nasarte en 12na | 25 | Nasarte en 12na |
Nasarte en 15na | 26 | Nasarte en 15na |
Nasarte en 17na | 27 | Nasarte en 17na y 19na |
Nasarte en 19na | 28 | |
29 | Corneta real 5 f. | |
Lleno 3 f. | 30 | Lleno 3 f. |
Zimbala 3 f. | 31 | Zimbala 3 f. |
Trompeta real | 32 | Trompeta real |
Bajoncillo | 33 | Clarín |
34 | Obue |
Pedal C, D, E, F, G, A, B flat, B
Contras de 26
Tremulant
© Greifenberger Institut für Musikinstrumentenkunde | info@greifenberger-institut.de