Scientific reconstruction of a viennese grand piano by Anton Walter, c1782

Walter's german action with escapement

Befundgeführte Rekonstruktion: Anton Walter, Wien ca. 1782/ Our reconstruction based on our documentation 
Befundgeführte Rekonstruktion: Anton Walter, Wien ca. 1782/ Our reconstruction based on our documentation

Documentation and scientific reconstruction of a grand piano

The original unsigned grand piano c1782 shows many chararacteristic elements of the early instruments by Mozart's piano builder Anton Walter. It belongs to the collection of musical instruments of the the Technisches Museum Vienna (TMW). The instrument was documented by photographs and drawings in its pre-restoration state in the 1990s, before we founded our institute. During the same time a reconstruction was begun.

This instrument has a modified action which might represent the first version of a specific innovation by Anton Walter. Traces of the special wooden hammer capsules could be found in another early Walter instrument in Eisenstadt, but were still present only in the instrument in TMW. The Eisenstadt grand is closely resembling Wolfgang Amadé Mozart's grand acquired by him when he moved to Vienna, for playing at his home as well at public concerts. Mozart's instrument (now in Salzburg) was, however re-worked by Walter when Constanze Mozart gave it to her son. It can be assumed that Mozart's grand in his lifetime has a similar sound and touch like our replica of the THW grand which might have resembled its original state.

 Thus this instrument offers an unique approach to Mozart's ideas of piano sound in his Viennese period and a special source of inspiration.

Literature: Many papers discussing the mentioned three early Walter grands in: Mitteilungen der Internationalen Stiftung Mozarteum, 48. Jg., Salzburg (2000)

Gesamtansicht der Mechanik/Overall view of mechanism 
Gesamtansicht der Mechanik/Overall view of mechanism

The specific action of the THW grand

Walter modified Stein's action with escapement and changed a considerable numer of details already in his early years. His obvious intention was an overall increase of volume and a wider range of development of sound in the louder range. A Stein action consists of c15 different parts, Walter's of 18, in sum 915 parts (Stein) as opposed to 1098 (Walter):

•          balance pin guide, upper *

•          balance pin guide, lower *

•          capsule

•          leather fitting for axle bore, 2x

•           securing leather fitting, 2 x

•          axle

•          shank

•          hammer head, graded in size from bass to descant

•          leather cover for hammer head

•          hammer head rest

•          beak plate

•          leather cover for beak plate

•          escapement tongue

•          leather fitting for escapement tongue

•          fixing for escapement tongue

•         spring for escapement tongue

•          spring guide 

•          hook for regulating spring

•          => 18 parts, multiplied by 61 keys) = 1098

* Since these guides are very carefully made and add reliability to the action if played with a potentially increased force they are considered part of the action components here. When Walter used supplied brass capsules in his later instruments, the production of a piano action was simplified again. 

An important detail of the action of the TMW grand are the specific shapes of the wooden capsule and the beak. No other instrument with that kind of action whether by Stein or Walter or any other has been described yet.

Hammer mit der besonders geformten hölzernen Hammerkapsel als Antwort auf die Gestalt des Hammerstiel-Endes am Schnabel/ Pls note the specific shape of capsule corresponding with the downward "belly" of the beak 
Hammer mit der besonders geformten hölzernen Hammerkapsel als Antwort auf die Gestalt des Hammerstiel-Endes am Schnabel/ Pls note the specific shape of capsule corresponding with the downward "belly" of the beak

The capsule is glued to the the rear end of the key and thus rigid. The specific "overhang" shape brings the "belly" of the beak in contact with with the cloth cover on top of the key guide frame. When falling down after striking the strings and key release this "belly" acts as a brake with the cloth cover to prevent the hammer from bouncing up again. So Walter did not require a separate hammer check.

Tastenenden und deren Führung sowie die Auslöser. Das Schnabel-Ende der Hammerstiele liegt auf dem Tuch der Abdeckleiste der Tastenführung auf. / Key ends, their guide frame, and the escapement tongues. The beaks rest on the cloth top of the key guide frame 
Tastenenden und deren Führung sowie die Auslöser. Das Schnabel-Ende der Hammerstiele liegt auf dem Tuch der Abdeckleiste der Tastenführung auf. / Key ends, their guide frame, and the escapement tongues. The beaks rest on the cloth top of the key guide frame
Rückansicht der Auslösung mit aufwendiger Montage auf einer eigenen Bank und Schieden zwischen den Auslösern /Back view of the escapement, laboriously mounted on a separate rail with guides in between 
Rückansicht der Auslösung mit aufwendiger Montage auf einer eigenen Bank und Schieden zwischen den Auslösern /Back view of the escapement, laboriously mounted on a separate rail with guides in between
die für den frühen Walter typischen Tastaturfronten/ typical Walter key fronts 
die für den frühen Walter typischen Tastaturfronten/ typical Walter key fronts
Tastenführungsbäckchen in der für den frühen Anton Walter charakteristischen Form /balance pin guides in a shape typical for Anton Walter's early years 
Tastenführungsbäckchen in der für den frühen Anton Walter charakteristischen Form /balance pin guides in a shape typical for Anton Walter's early years
 
 
 

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