A major focus of the Greifenberg Institute's work is the metrological capture and documentation of research objects and the development of practical and efficient methods for this complex and demanding task.
In recent years, the technology of digital 3D scanning of objects has evolved rapidly. After many years of dismissing the available scanning methods as too impractical (the point cloud grids generated by the scanner had to be manually converted into surfaces and lines), there are now high-performance, partly AI-supported 3D scanners that automate the conversion of point clouds into orthogonal grids and subsequently into surfaces. Photographic captures of the objects can even capture the surface colors and display them on the digital model, allowing for the creation of highly realistic virtual 3D models with relatively much less effort.
One of the 3D scanners commonly used in archaeology is the Artec LEO, which appeared promising in our research. Together with archaeologist and IT specialist Dr. Susanne Bosche (DiAuViS), we initiated a project to explore the possibilities and limitations of this device for our applications.
(AI-Translation)
(AI-Translation)
After one year of this project's duration and numerous experimental setups and inquiries with the company Artec, we have reached the following results:
Presentation Models
Additionally, we were able to
create aesthetically optimized presentation models of several grand
pianos for digital preservation and dissemination independent of
location and time.
3D model of the replica of Anton Walter grand based on measurement data with the Leo structured-light scanner
To investigate deformations of an instrument or differences between several replicas of the same instrument, two 3D models of two phases or replicas of an instrument—such as the two replicas of our fortepiano from the workshop of J. A. Stein—are overlaid. A distance map can be used to calculate and visually represent the deviations between the two models. In areas colored green, the two models match; in areas colored blue and red, however, deviations can be detected. The extent of the deviation increases with the color intensity. The different colors indicate the direction of the respective deviation.
In the case of the instrument presented here, it is evident that the replicas are matching the original in essential areas (green). In the areas showing deviations (red/blue), the age-related deformation of the original instrument becomes apparent.
(AI-Translation 05-2025)